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Morale & The Big Steppers, Kendrick seems to actively reject the elegance and structure of past songs like “ DUCKWORTH.” and “ good kid,” writing in quick strokes and sketches that channel his messy admissions. Even as he details a specific fling, his storytelling frays, held together by the repetition of his paramour’s eye color rather than mise-en-scène or dense rhyme. His rapping jerks and lurches as he reveals he’s going to therapy and wracked by grief and shame, feelings that he copes with through luxury purchases and infidelity. “I been goin’ through somethin’/Be afraid,” he says, a warning that is followed by frantic double-time verses that slink around oblique piano stabs and brisk drums.

Prompted by narrator Whitney Alford, his romantic partner since high school, Kendrick opens the record by framing his honesty as dangerous, the first of many disclosures to come. The search for the longer answer propels the album. The short answer is his family and his homies. His main priority, however, is clarifying who, exactly, Kendrick Lamar represents. His final album for his longtime label home Top Dawg Entertainment enters a world shaped by the pandemic, #MeToo, and the global protests against police brutality, events Kendrick comments on across the record while recounting how he’s spent his hiatus. Aside from the splashy launch of pgLang, his opaque media company with Dave Free, and a few scattered features, Kendrick has kept a low profile.

and curated the easygoing soundtrack for Black Panther-eons in the rap world, and quite a chunk of regular time too. Five years have passed since Kendrick released the punchy and vivid DAMN.

Kendrick lamar good kid maad city download zip clean